Scans of Natural Materials
This group of scans tries to render something unabashedly aesthetic, to exploit the inherent formal qualities of the subjects. As such, it has always been the nature of the materials themselves that determines the "compositional" approach - their size, number, thickness, color, texture, and degree of transparency. I mainly want to show the materials for what they are, so the arrangements are very straightforward.
With single objects, big or small, I like to isolate or frame the area that interests me - e.g., the "Ice XII" or "Leaf II" or "Fern Back". With very large quantities of small items, such as the "Pollynoses" or "Pumpkin Seeds" or "Berries I & XXII", they are not even composed - they are simply distributed evenly on the scanner. (An exception is the "Rose Hips", which had to be arranged in order of color.) Somewhat smaller quantities, like "Dried Poppies" or the two "Pollynoses" images, require very careful arrangement to create the surface tension or visual rhythm that I like. The same goes for comparatively simple compositions like "Medaglioni di Papa" or the two "Sprigs" pieces.
All images in this series were created with a flat-bed scanner, using either reflected or transmitted light. Generally there has been little or no retouching, and no photo elaboration except for minor tonal adjustments.
© 2014 Allen Schill. All rights reserved. No part of this document may be reproduced or used without prior written permission from the author. Anyone is welcome to link to it, or to quote brief passages, but I would like to be notified.