These are some of the objects I've made since 2022 in resin. The resin is a transparent material mixed from two liquid components chemically akin to epoxy glue, the second being a hardener. Once mixed, one has an hour or two to work before the resin starts to set. It goes from syrupy at first to a consistency like thick honey when it begins to set. Coloring may be added at the beginning, as I've done with a few of these.
Since most of them are basically transparent, I've photographed them a few different ways to try to suggest how they look in different conditions. Some are shown illuminated from behind, whether on a light box (with the light backgrounds) or in a sunlit window, with a dark background. Since they have a certain thickness - a centimeter or so - I've tried to show that.
Aesthetically they range a bit here and a bit there. The first five, with the tiny doll figures and the blue bases, illustrate a development. The white doves I've used in still-life photographs in the past (see Doves on Racquet). The piece with two baby dolls and a red duck in the bath represents my brother and me when we were babies. I happened to have several more baby dolls, and used them in the last two pieces with six babies apiece. These are dedicated to Fred Rogers and François Clemmons of the Mister Rogers TV program for what they did to make a calm, sane, and beautiful statement about the integration of public swimming pools in the late 1960s. Sharing a tiny kiddie bath on the lawn one hot summer day to bathe and refresh their feet, they symbolized black and white sharing a swimming pool. I am pleased to say that these pieces can also be seen in the Fan Art section of the Everything Mr Rogers website.
Following those are three pieces incorporating the tiny plastic letters intended mainly for name bracelets for kids. One shows a phrase in a spiral form, borrowed from a sequence Marcel Duchamp's short film "Anémic Cinéma" (itself a near-palindrome), "Esquivons les ecchymoses des Esqimaux aux mots esquis". This means "We dodge the bruises of the Eskimos with exquisite words". (The last phrase, "en Esquimais, that is, "in Eskimo", is my invention, carrying Duchamp's elaborate wordplay a little further.) In Duchamp's film, the phrase itself is presented in a rotating spiral, along with several other remarkable word inventions of his.
The second piece, with a moth embedded in the resin, uses a palindrome in Latin from Virgil, "In girum imus nocte, ecce, et consumimur igni". This sums up the life cycle of the moth: "We go around at night and are consumed by fire."
The last of the three is the famous Arepo Square, a palindromic acrostic of Latin words which dates from the first century B.C. Its author is unknown and its meaning is disputed, but literally may be something like "The sower Arepo guides the wheels with skill".
(A historical aside: the Greek Sotades the Obscene, of the 3rd century B.C., is credited with the invention of the palindrome. He wrote satirical poetry, for which he eventually paid with his life: he poked fun at Ptolemy II for marrying his own sister, was jailed, escaped, then caught and thrown into the sea in a leaden chest.)
The next is a miniature plastic egg carton, perhaps 8 cm long, with plastic "gems" resined in place of eggs. As in the traditions of Surrealism and Dada, it works by violating our expectations, like Meret Oppenheim's fur-coated cup and saucer.
Next are three pieces using tiny plastic jet planes salvaged from the model of an aircraft carrier I made when I was a kid. All three have to do with the madness of war. The first is a rectangular piece in transparent resin. For the others, round or square, I colored the resin blood red to suggest the carnage of killing. The name for the group, The Sharks and the Jets, is borrowed from Leonard Bernstein's great musical "West Side Story", a resetting of Shakespeare's Romeo and Juliet among the youth gangs of the tough, poor neighborhood of West Side New York in the 1950s. Instead of the Montagues and the Capulets, we have the Sharks and the Jets, gangs of Puerto Rican and Italian kids, set against one another.
The rest suggest my parallel interests in pattern and randomness - which have been important to my work for many, many years. The materials used here include plastic beads of various kinds, dessicant crystals, and pastel-colored sugar candies. Some arrangements are hexagonal - a geometric shape close to a circle - and others do not conform to any pattern. The array of leaves of the red maple is of a calligraphic inspiration, quite like many of my photographic still-life photographs and other works.
The Rainbow Flag is my pluralistic, idealistic, multicultural take on the symbol of the USA.
The following use a variety of materials: tiny opalescent hexagons, dessicant beads, multicolored round sugar candies, sequins, irregular plastic gems, pieces of a very old mirror, and colored wooden sticks.
The final item shows something of my procedure, using a mold made of silicone mixed with flour, with pieces of a Spirograph set, positioned and ready for the resin to be poured.
Allen Schill, August 2023
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